10 august - 10 september, 2020
Location: 48Q3CJM3+P5, the shores of the Río de la Plata, Buenos Aires
Francisco Vazquez Murillo
curated by Gonzalo Maggi & Constanza Chiappini
ABOUT THE EXHIBITION
“Crossing the River” is a project by the artist Francisco Vazquez Murillo structured in a series of stages/actions. The first movement is the shipping of a graphic and textual piece by mail. It is the invite to attend, either virtually or personally, to a temporary installation created by the artist on the shore of Río de la Plata.
A postal delivery that marked the beginning of Cruzar el Río [Crossing
the River]. The text written by Francisco reached hundreds of homes along with
coordinates indicating the location of the installation.
Ten thousand years ago, we gave up being nomads and began settling.
After millions of years of walking, we stopped chasing benevolent weather
for living and hunting.
Generation upon generation we walked like migrating animals, subject to
the force of the elements. Guided by the sun and past learnings we traveled
thousands of kilometers of land, sand, rocks, vegetation, snow, ice and
mountains. The landscape continuously transforming.
We learned to battle and hunt animals. Carved rocks, invented spears,
traps, bows, nets and arrows. We began to cook meat. Opened new paths
in exploring the unknown. Territory was the space walked towards a
following destination and the landscape then remained as memory: the
trails of animals, elements of sunsets, the cave, the fear of night and cold.
Step by step an inner trace was molded. In the vastness of landscape, we
invented the images and thoughts that wondered about the unknown
which surrounded us.
A more temperate and benevolent climate opened a gap in the path for our
survival. Seas rose. Food abounded. The walkers gradually began to stay in
a single place through the seasons.
The feeling of feet stepping on earth, the position of the sun, the constant
change of scenery, the sensation of the atmosphere against the body.
Smell, strength, hunger, cold, fear, flies, disease. The wisdom of hundreds
of generations of nomad ancestors begins to fold upon the body like foliage
at the end of a path.
Rock upon rock, brick upon brick, the first houses were very close to one
another. Joined by their round stone walls, almost together on the valley’s
ledge. The cereal we grew transformed our lives forever. The meat from
cattle allowed the passing of cold seasons. We made the animals work. We
built a mill with heavy stones and irrigation systems. The technique evolved
with tools. We perfected vessels, pots and the handling of fire within the
home. We began to treasure objects, and learned to protect them. What
had been won had to be protected. Families grew, and the more we were,
the more tensions appeared. But the villages and their surroundings were
safer than the ferocious animal-filled paths and the inclement weather that
dominated open landscape.
Calendars organized sowing, harvests and rituals. The movement of the sun
and stars, the rains and river flow were efforts to be celebrated. Well-being
not only depended on our labor but also on mother earth’s contentment
and kindness as well as on the help of our ancestors, the dead. In winter,
shepherds walked along cattle to more temperate zones, bringing news
from other places.
Tall stones began to be transported from one place to another and erected
as prehistoric obelisks besides paths or magical sites. Others were
organized in large groups, in places apart from the villages. Relocation gave
the stones, those who moved them and the chosen location, new meaning.
A titanic group effort undertaken due to the determination of a sorcerer or
by work and passion of the region’s clans.
Once buried, the stone transformed the landscape. As an artificial object, it
generated a center and brought upon a connection to the evident. The
stones on the grass like motionless trees, like timeless objects, like portals
to other worlds. A construction to honor the dead, to anchor them to the
earth.
The space surrounding them was the site of a forgotten connection. Their
movement, a small demonstration of greatness, a challenge to the possible,
a dream of ages.